“Mama Dada” is the first book to examine Gertrude Stein’s drama within the history of the theatric and cinematic avant-gardes. It explores her development of a unique playwriting aesthetic based in avant-garde drama, cinema, and queer identity. This is the first study to distinguish between her major and minor dramatic works, and examine in detail Stein’s major plays: “Four Saints in Three Acts ” (1927); “They Must. Be Wedded. To Their Wife.” (1931); “Listen to Me” (1936); “Doctor Faustus Lights the Lights” (1938); “Yes Is for a Very Young Man” (1944-46); and “The Mother of Us All” (1945-46). It is also the first book to consider Stein’s impact as a major influence on the American avant-garde, in particular her influence on The Living Theater, Richard Foreman, and Robert Wilson. Through close examination of her career and work (as text and in performance), Sarah Bay-Cheng aims to demystify Stein’s drama and to connect her achievements to a larger historical and theoretical tradition in European and American theatre.
2) drama
Candace Falk – Emma Goldman: passion, politics, and the theatrics of free expression
Emma Goldman’s Lost Drama Lectures
At a time when public speakers in New York could be arrested for making subversive statements, the fiery Emma Goldman at least once eluded arrest by speaking in Yiddish. “She spoke to this group of Jewish women on the Lower East Side,” a policeman reported, “and I’m sorry I couldn’t take down what she said because she spoke in Yiddish.” (The late Howard Zinn recounted this episode in his book, Artists in Time of War.) The cop’s failure to record Goldman’s speech might be considered unfortunate, especially if she happened to be talking about Yiddish drama — for while many of her other speeches were published, her lectures on that subject, delivered between 1914 and 1916, have been lost to us.
Today, of course, Goldman is remembered less for her theater discussions than for her passionate speeches against conscription and war (“the road to universal slaughter”). Her autobiography, Living My Life, devotes only a few paragraphs to her drama lectures. Yet theater was quite important to her: In essays, public speeches, and a book, The Social Significance of the Modern Drama, Goldman introduced Americans to plays by Henrik Ibsen, August Strindberg, Gerhart Hauptmann, and Frank Wedekind, creators of what she once described as “modern drama, the strongest disseminator of radical thought.”
Oscar Wilde
Biljana Srbljanović
Biljana Srbljanović
na srpsko-hrvatskom:
Beogradska trilogija
Porodične priče
Pad
Barbelo, o psima i deci
Skakavci
Simona Semenič
Simona Semenič
na srpsko-hrvatskom:
Nisi zaboravila, samo se ne sećaš više
in english:
5boys.si
Feast
Dario Fo
Ljubomir Simović
Ljubomir Simović
tekstovi na srpsko-hrvatskom:
Čudo u Sarganu
Hasanaginica
Putujuće pozorište Šopalović
Sarah Kane
George Bernard Shaw
George Bernard Shaw
tesktovi na srpsko-hrvatskom:
Djavolov ucenik
Kandida
Pigmalion
Zanat g-dje Vorn